PRESS
Capriccio
Bayerische Staatsoper
Et, surtout, l’excellent Galeano Salas, décidément talentueux, en Italienischer Tenor éclatant.
-Bertrand Bolognesi, Anaclase, July 23rd, 2022
Die lustige Witwe
Teatro Colón
El tenor mexicano-estadounidense Galeano Salas resultó inobjetable como Camille por belleza vocal, amplitud del registro, buen fraseo y agudos inmaculados.
-Gustavo Gabriel Otero, Mundoclasico.com, Octubre 2, 2023
Eva Marton Singing Competition
Franz Liszt Academy of Music
Only rarely does it happen that the audience and the jurors unanimously pick out someone. Already when he sang Liszt’s Sonetto 104 del Petrarca in the Preliminary round, I seriously suspected that he was going to accomplish excellent results. It was an indescribable emotional experience: I had never heard this song interpreted like this, especially not by a foreign artist. After this, we naturally paid special attention to his other performances.”
- Éva Marton, Head of the Jury, 16 September 2018
Falstaff
Bayerische Staatsoper
..und ihr Geliebter Fenton (Galeano Salas) kann seiner Tenor insbesondere in der Arie zu Beginn des Gartenteils erstrahlen lassen. … Fentons Arie zeigt die ganze Schönheit dieser Stimme.
-Artoscript, 03 December, 2020
La boheme
Teatro Filarmonico
... a partire dal Rodolfo di Galeano Salas, che dei quattro amici ha il maggior impegno lirico. Il tenore, particolarmente meticoloso nel dipingere i tratti caratteriali del suo personaggio, si dimostra prudente ed attento ad evitare possibili eccessi vocali; la sua voce è di bel colore luminosa e libera nell’emissione su tutta la gamma.
-Gianpaolo dal Dosso, GBOpera, December 15th, 2022